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New blog

Dear friends, we changed our blog. The rigidity of blogger to edit posts began to irritate me, so convenient to find another way to present the reviews and madness that have been feeding this library.

This blog will continue this in this direction, but are no longer able to write reviews and I do not re-published some input. The new address is http://bremaneur.wordpress.com .

The new blog includes some news, not just technical. In the meantime, become a regular: there will be new entries every Monday. We will, therefore, a weekly blog. The welcome I have prepared an essay that not everything went as well as I wanted, because the resolution is not optimal and I've spent a bit with the mui. This is a video tutorial of a screencast on Internet resources relating to the old book. If you want more details, come and see .

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The law of historical forgetting

Two municipal actions covered in Article 15 of Law 52/2007 , December 26, better known as Law of historical memory, have discovered the absurdity of it. Its purpose is overridden by the text of the law, which calls for a credible forget our history. The first of these acts took place in July this year. Badajoz City Council sent a worker with hammer and chisel to remove the street sign dedicated to Margarita Nelken. The commotion was considerable armed. The second took place a few days ago. Seville City Council has banned a conference on discrete Agustín de Foxa. Aquilino Duque, who was banned lecturer, has written an excellent blog entry on the subject.

Yesterday also we read in The world an article about this censorship. Juan Manuel Bonet, Jordi García Andrés Trapiello and give their opinion. Because you can not find in digital editing, I transcribe here.

Sunday, October 11, 2009. Year XXI. Number: 7237.

70 years later, what do we do with Agustín de Foxa? EVA DIAZ PÉREZ


Sevilla

"Zambra and stir in the china shop of the Ateneo ...». So begins Madrid, Czech cutting, the delirious, satirical, tragic and incendiary novel the author wrote in 1938 Agustín de Foxa Falangist Armendariz-Marquis and Count de Foxa-dipping his pen in the orgy of hatred and bloodshed of the War Civil. This "uproar in the china shop" of today is that the author has brought 50 years after his death as a result of the decision Sevilla City Council to suspend a scheduled event to remember his work. The arguments of the delegate for Citizen Participation, Josefa Medrano (IU), to prohibit the tribute were "respect for the historical memory" and the possibility that "could become an act of advocacy of Franco." Andrés

Trapiello, Jordi Gracia and Juan Manuel Bonet, three authors have thoroughly studied the literature of the period and the conflict between ideology and creation, involved in the debate to provide the necessary reflection and wisdom to the subject.

censorship. "It seems incredible that a municipality is engaged in the literary police. Even if Foxá was an ideologue deserves to be studied. But this is a great writer, "says Juan Manuel Bonet, art critic and author of the classic avant-garde
Dictionary. "Seventy years after the end of the war, the history of literature must not make the council sectarian, but historians and writers," he says, annoyed by the decision of any one author by extra-literary reasons. Similarly

Andrés Trapiello view: "It is a decision born of ignorance and totalitarianism of a person who does not know what he's talking."

LITERATURE AND CREATION. Trapiello knows what he speaks as the author of an essay The arms and letters, which contributed to the debate and the peace of English literature by reviewing the conflicting relations between intellectuals of both sides-
with the political radicalization that occurred during the Civil War. The book was published in 1994, was reissued in 2001 and revised in two months, will be republished in an expanded version. The controversy created Foxá Case confirms that the conflict between arms and letters is still valid. "The Civil War disrupted people who went mad in that bloody rampage, even people who were wise before the war and returned to be later. And this is repeated with writers from both sides, "he admits.

Juan Manuel Bonet también coincide en la dudosa razón ética de centrar la valoración artística en buenos o malos: «Si hacemos la vista gorda sobre los poemas de Alberti a Stalin o sobre las infamias de Bergamín contra el POUM de Andrés Nin. ¿Por qué seguimos negando que el franquismo también contó con grandes escritores?»

EL CUERPO DEL DELITO. La simplificación del cliché sobre Foxá como «apólogo del franquismo» para decidir silenciarlo ha sido otro de los argumentos polémicos. Jordi Gracia es el biógrafo de Dionisio Ridruejo, compañero de afinidades políticas de Foxá hasta que se convirtió en demócrata y, por lo tanto, dissident Franco. Gracia, who won the Essay Award 2004 by the fundamental Anagrama essay silent resistance. Fascism and culture in Spain, speaks of "thoughtless blunder." "On the other hand, if it is reflexive, it is worse: it does the least harm to the victimized Foxá but ridiculous. Had been fascist aristocrat, cynical and humorous, as well as a good writer, and now receives the gift of being a victim. " Gracia, one of the great historians of English intellectual life during the Franco regime, says Foxá "was played by a conservative net over fascism founded rhetorical and decorative. Of course, censorship is a posthumous gift a misguided left has done to Foxá. "

Trapiello agrees criticize ideological conviction judgments. "If we talk of war literature, war poems Foxá has not detract from the texts written by then the Communists José Herrera Peter, Pedro Garfias, or the same Rafael Alberti."

REMEMBRANCE. The "respect for the Law of Historical Memory" has been one of the reasons to try to prevent the act. Trapiello reflects on the spirit that should prevail when faced with the uncomfortable past. "Historical memory is to return to the past without figures. With the view that historical memory "Historical memory" could not be held half of literary events held in this country. In the Civil War there were other artists who were identified at some point with Stalinism. "

Trapiello warns about the dangers of decisions like this: "It is nonsense that someone can decide what is good and what is bad. Did not happen so, so ridiculous, from the father Ladrón de Guevara, the Jesuit author of novels good and bad novelists. People have a right to be spoken on both sides, to form an opinion of their own, away, if possible, the fanaticism of those who seem to want to win the Civil War, in a sense, missed it a lot. " Jordi Gracia

wary about the controversial use of historical memory. "It was a nonsense as an accidental. A fetish is sometimes used of historical memory to attack or defend, when all reasonable issues of cultural history is to disseminate critical. "

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Figures offenders

brief Internet is full of literary gems, understood the word in its broadest sense. Glowing reviews in blogs, news and more pages are hidden in bags and bins of quackery and platitudes expressed by most of the nonsense. We shall mourn his forgetfulness, as papers that are tramp. I turn my admiration for two exceptional people, both authors of this literature of string in the new century: Juan José R. Chalazal, who have time to talk here, and the Marquis de Cubaslibres, promoter of this blog. He chiseled the other day one of their outstanding short pieces on the Internet. Its title, Telluric rage, his spirit, impetuous, Homeric, as the drunkard nicknamed the quiet man of John Wayne. Women, opera, bulls, science, man, art and literature make up the work of the Marquis. Teaching and powerful thanks to its brevity and intelligence that is built, is never without its humor. The latter in particular caught my attention for several reasons. In part, because it refers to a particularly dear to me, as is the shore of La Rioja and Navarra borders. Also because it reminded me of Baron and his scathing comments on the coastal and atrocious accent, which always made me so funny. And especially because it seemed gleaned his teaching of a chapter of a book that gives luster to my library. Its author, Constancio Bernaldo de Quiros, and has reared here earlier. The civil war ended his career in Spain. He emigrated to the Dominican Republic, Cuba and Mexico, where he died in 1959. The title is Figures offenders, and is a miscellaneous work on issues related to forensic anthropology and Spain. The chapter is "Relic ibera: race and crime in Spain." Compare these and enjoy.

Telluric rage, by the Marquis de Cubaslibres

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Others feel that we are selling

Check this CNN article that comes to me courtesy of @ alejodm. The premise is that Facebook sells our consumption habits. I insist on my question, is that the 2.0 is not nothing but a marketplace database? Http://www.cnnexpansion.com/tecnologia/2009/10/01/facebook-vende-tus-habitos-de-consumo

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red The novel was one of the collections kiosk that followed the trail of The weekly story, series created in 1907 by Eduardo Zamacois. Species revolutionary red The novel starts editing the Fernando Painted in 1922.

The Basque Country, n. 8, April 17, 1923

The catalog brings together various writers, many of them related to anarchism. Has anyone been leaning over from the pluteus of this library, and Peter Valentine. The complete list is provided by Gonzalo Santonja in their study Novels red.

After the dictatorship of Primo de Rivera, who struck with such force attempts to offer the people rebellious and liberating literature, who looks to rescue red The novel is Ceferino Rodríguez Avecilla. The adventure begins in 1931 and includes titles Ricardo Baroja, Victorio Macho o-me-Adelard surprised Fernández Arias.

The fifth issue of this second series of red The novel was written by Margarita Nelken. Dedicated to his son James, is illustrated by one Cheche, whom I could not find references, and is entitled Order. Unlike the other installments, this is not a fictional story, but the chronicle of a journey made by Margarita Nelken lecturing Asturias during the dictatorship of Primo de Rivera. His problems with the "order" established by the shiny and morbid government chiefs will result in several scenes narrated with some humor and a lot of bad host, if I may say so. The Chronicle has an unquestionable interest. It is the first contact with the Asturian miners Margarita. In 1934 will be one of the anti-Republican leaders of the Revolution of Asturias.

Cheché Drawing

The beginning of the novel, which will offer more paragraphs in Buddy Love (Collection A penny, Issue 2):

In the early years of the dictatorship. Precise: the Primo de Rivera. Tournée
Asturias conferencing.

In Oviedo, coincidentally, in the
hotel, with His Excellency the Governor: a chicken well, responding, hydraulic
picturesquely, the name of Fontana Pilon.
A chicken well. If
not been brought up with "the Fathers", it seems. If not Luis, deserves to be. (Today we assume
affiliate-enthusiastically-right Republican.
If it is, deserves to be).

course marchosillo him very, very confident
very, very echao palante, I would say any chicken less well than he. He is very
man, and it is shown: when the government offered a
province, it was he who asked the most difficult. None of sinecures! "To me,
miners, and you'll see who I am!"

You're seeing.

Nelken, Margarita. Order. Cheche drawings. Madrid: The novel red revolutionary literature weekly, July 8, 1931.

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Order Run like Hell

What better time to talk about the books we read in the holidays The first days of autumn, when the light fades slowly, the herald of coming cold. Come moments of seclusion and silence, and wield some days off to re-sit or lie down, and read again several books in one sitting. In the summer we did outdoors, looking a shadow and a soft drink, in winter we will do so seeking refuge from the heat. Meanwhile, during the fall, we will read one of those books bound useful for our work. Books marked by the obligation. Reading books bursts, fast at times and stopped and thorough in others. Books that we wear yourself out, ultimately. There are times when it should plan the escape. Hence appropriate to look back and remember those novels that made us forget reality for a moment. All seek to teach something more than human and the time he has lived, but in so doing by the fiction gives us comfort to know that all the darkness that show can be trapped, as if to close the book would close the Pandora's box.

In a week I read seven books. Without stopping, abandoned to the pleasure of escape into fiction. Passed one after another, all excellent. A moment that can only be repeated during the holidays. To be repeated in the winter. I am compelled to repeat.

The confines , Andrew Trapiello . It was a reading, strictly speaking, but a rereading. Without doubt, the best English novel published in recent years. And I do not tire of repeating the title more beautiful than I remember. Told from the ends, the players catch up thanks to a love pure and clean. So pure and clean that it is incomprehensible to others, and that transcends their own lives. The derived characters of, finally, an amazing story of redemption. [ Buy the book ]

The imbroglio of Jim Thompson. The more accurate title I've ever seen. The novel is a mess from the first paragraph, where in a room described as naked, without even a chair, appears apropos. The anxious uncertainty and apparent improbability with which the book is written makes it extremely attractive.

A tourist in Tahiti , of Georges Simenon. Possibly the least known of Simenon books. Just take a look on google. Like all his own, excellent. The febrile atmosphere of his novels Parisian moved intact the island of Tahiti, where a foreigner comes to stay. A murder, some assumptions and a microcosm of characters paralyzed by the climate and the static routine.

high window of Raymond Chandler. One of my first forays into English-language thriller. Years ago I began casually with the French. Soon I focused almost exclusively on the English and the dirty brush that painted the unsettling years of transition. Marlowe I imagined so vulnerable. It was a delight to read this novel.

The Glass Key, of Dashiell Hammett. Hammett has become a myth to me. I needed just two novels. If, as my friend Calaza Pepin, a novel has to teach something of the human soul and how long they will live, the Hammett reach perfection. One more willingly join in reading when you know something of the life of this ingenious drunk and her lover, Lillian Hellman, who walked by our civil war as a journalist. The novel's protagonist, a smart guy and a drunkard, puts friendship above honor. Would have to see what's Hammett in Miller's Crossing, the Coen.

The Thin Man Of Dashiell Hammett . I laughed out loud at the dialogue of this major novel. The characters are a perfect marriage, which no longer surprising. Trying to find out the whereabouts of the thin man despite efforts to put some quirky characters that do not succeed.

A pedigree of Patrick Modiano. The calm, thoroughness and accuracy of this author run together the beat summer slump that so pleasurable. Modiano I read through the recommendation of Melancholy Ruffian, a regular at the library, and I thank him publicly.

The pirate song from Fernando Quiñones. One of the books in my life. As in that first, it is a rereading. A masterful novel that combines tradition with the novel's picaresque travels and adventures of the seventeenth-century English soldiers. A careful language to the more subtle detail, and perfectly intelligible. Deserves separate entry in this library of losses and fluctuations.

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Persecution and hunting of rare books and lost:

by Marina Pino

Unlike collector, which holds for treasure, the specialist chooses only the works necessary for their work, ignoring the trash and the amount how happy are the first. Among the works that the specialist should have no excuse Casanova is the legendary edition in twelve volumes of the Memoirs de La Sirène, Paris 1924-1935, which is sometimes found in bookstores at ludicrous prices, incomplete or volumes broken, or missing at all.

For my work on Casanova, I had to crawl by libraries and archives, suffering the modern torture painless way constitute its rules, a compendium of prohibitions, restrictions and injustices that seem designed by a bibliomaniac ready to defend his treasure swashbuckling any foreign curiosity. The twelve volumes distilled volume by volume, the secular rate of reserve rooms without further working tool than a pen as mine runs out or breaks and a few pages, under the watchful eye of the jailer on duty.

time Let's go to Casanova and absolute counterpart, the Marquis de Sade. Seven years, seven, my quest has lasted, persecution and hunting of the third volume of the biography of the Marquis, Jean-Jacques Pauvert, under the generic title Sade vivant. The first was purchased in 2000 in the library Lance Gilbert Jeune, from the Place Saint Michel in Paris, because the issue had for many years. The second volume was found in the same library and charity two years later, quite dirty, but full. Which has resisted the truth has been the third, which chronicles the historic release of Sade in the Bastille and his enthusiastic introduction to the Revolution (after loss of his novel The one hundred twenty days of Sodom , collection of soil by a revolutionary and ended in time in the hands of the typical Swiss collector. Sade bitterly regretted the loss all his life. He had been writing in secret, small pieces of paper that was sticking on a continuous roll in the manner of a roll of toilet paper, hiding in a box and never recovered. Today is a literary landmark and a premonition of mass production that would come later. Car or for pleasure, it matters).


Seven years of research and hopes to join the time of the release of Sade with his allegiance to the section of Spades, one of the most extremist of revolutionary Paris.

This time, however, the volume has come from the Place Saint Martin, but a particular via the Internet. Why someone has exactly the third volume of his biography de Sade and not the three volumes, or the first, which is what we bought them all before realizing that we are not interested to bear the whole lot? The important thing is that the individual had the mythical third. The price dropped, postage included from Paris. The book, in paperback, clean, but with the tail so parched that will defoliate as I bury myself in the fascinating facts of Count Marquis Donatien François de Sade Aldonse now become a Citizen Sade to dry, forcing me to take rushed to saddle in the middle reading.

not matter because, even with twenty years late, just arrived, also via internet, the legendary edition of La Sirène with Memoirs of Casanova. Edit highly acclaimed at the time because it contained an important critical apparatus and a profusion of illustrations, all very useful for Casanova of the time, waiting to know the real Casanova's original, which was not published until 1960, 162 years after the death of the Venetian! It is that the siren could not publish more than the rewritten version, doctored and censored Jean Laforgue made to the publisher Brockhaus of Leipzig, then in Weisbaden, owner of the original manuscript but, as I say, with significant added materials.

Siren also very dry to be a mermaid, if I get the joke. Creaks and threatens to spread in convenient booklets, but restoring it would double its price, which would be the bargain it is. Best left on display as an object of worship and more than exceeded but insurmountable.

I return, then, Sade restored by three euros to continue, with the help of Pauvert most devout and erudite, with the story of the man who was "thrown up" by all schemes under which they lived, outside the Old Regime, the Bonapartism revolution or, more to his writing that facts or specific offenses and prosecutable. Pauvert vision of which is fine because it lies between the San Sade of the Surrealists and the Infernal Sade of Catholics, which is certainly true is closer to Sade.

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Casanova de Sade to Milena Letters to Mary

By Reinhard

Discuss Margarete Buber-Neumann is to narrate the history of the KPD (German Communist Party) in the interwar period, apparently gutting a compact body and found to be a drama full of intrigue, injuries and seams, heroes and villains, dead and wounded in the Nazi lager, executioners and victims coming within the same rows as Heinz Neumann, German Communist leader and husband of Margarete, who disappeared in Moscow after purging, or Willi Münzenberg found dead in France while fleeing the Nazis and Soviet agents and was married to Babette Gross, the author's sister. After his arrest in Moscow in 1937 and by virtue of the secret clauses of the pact between Stalin and Hitler, Buber-Neumann, spent the gulag of Siberia to the Ravensbrück concentration camp, where he remained until his release after the end of the war, leaving witness in several works, as Prisoner of Stalin and Hitler or Deported to Siberia. In Milena, and with the same direct and forceful style of previous works, fast and gritty and needs of the plot, the author recounts his stay in the Nazi camp and the relationship of friendship which he engages with Milena Jesenská, Czech writer and journalist and former communist who had maintained a relationship as strange as brief and intense with Franz Kafka, a platonic love than real founded on a mutual correspondence that would eventually see the light, after the death of two, in the Letters to Milena .

The play, always presented as warm and sincere tribute to Milena Jesenská tribute, a promise before she died, is divided into two distinct parts. The first recounts the life of Milena until his arrest in Prague in 1939, its beginnings in journalism and politics, almost simultaneously, and always against the wishes of a despotic father and bourgeois to the core, their relationship with Kafka in Prague's cultural ferment, and also, among other characters of the period, Max Brod, executor of the writer, and Willy Haas, who deliver Milena Kafka's letters before his arrest by the Gestapo, but also the vibrant story and out of the Communist Party-there relationship with Milena trabaría Julius Fucik, author of Feature at the foot of the gallows - after several years of fighting militancy that could not withstand the disappointment caused by Stalinism and its practices macabre farce of a system that was evident in Moscow trials and whose consequences led to Margarete Buber to the field of Karaganda and Heinz Neumann to a death that left no trace. But no doubt the relationship between Kafka and Milena the axis on which turns this part of the book, either through their own confessions to the author, either by reproducing the correspondence between them. A relationship as intense but fleeting letters in the physical and that starts with the translation into Czech Milena some writings of Kafka and is nipped in the bud by the writer in a further sign of fatalism that always accompanied him, test a strange personality that feels so fascinated Milena as worried as subjugated and fearful that the end all die and so, as a story of Franz, the man who wrote as he lived, surrounded by his asceticism as a single individual as the most honest would describe the newspaper obituary that he Milena dedicated to his death and which defined, in a passage full of emotion, as it really was a visionary, the kind of men who support their entire disease burden of his inner angst, too wise to learn to live and too weak to fight, I treasured a knowledge of men and expresses only occurs in those who live solitary ascetics whose nerves are extremely sensitive to capture whole person through a mere gesture . From that vantage point works perfectly describe the horror hidden errors and unearned guilt of being human.

The second part describes the life and death in Ravensbrück, the struggle for survival in the different circles of hell, for the cruelty of the guards and the prison regime, hunger and disease, are linked in many contempt cases the Communist prisoners, authentic kapos the field, as manifested by those Grete and Milena orthodoxy had long ago abandoned the wisdom and foresight that predicted, long before Soviet tanks across the Oder, the new slavery to fall over much of Europe when the race finishing. A political harmony, the disappointment following the failure of utopia, which is already reflected in the first chapter, which recounts a night stand between the two protagonists to the newcomer, Margarete, count the reality of Stalin's Russia, and resulting in a deep friendship that only end with the death of Milena, seriously ill since the time of Prague. The portrait that Buber-Neumann trace Milena, with direct and polished prose that characterizes and evoking the writer Evgenia Ginzburg and Vertigo, is a fascinating woman, so simple in their gestures and in their fragile and delicate beauty, remains almost intact despite the harsh conditions, disease and poor nutrition, with enormous powers of persuasion to put on the ropes to his executioners, who owns a firm in his convictions that will captivate most of companions, but especially Grete, which starts the promise of writing a book that portrays the inferno, which describes the friendship born in him, and that the author met and exceeded in this work, offering a small but accurate biography the woman who captured the genius of Prague, Czech he wrote in German.

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so pretentious title was all I could manage to remain true to my policy of not writing anything that takes longer than 20 minutes (after have thought a week). Recent announcements
sales Twitter, the monumental Facebook bids and purchase multi-million youtube are three examples of how value emerges as a system property. None of the small facebook groups themselves would never offer similar to the one given at the time to Zuckeberg . In these places are the components of a system within their emergent properties is self-organizing power of the mass (I recommend Kevin Kelly on this subject.) It's amazing that none of these organizations to produce a single dollar. At least youtube loses 1, 65 million dollars a day and Twitter donaciones.Son remains economically unproductive or destructive systems of professional value, actual holdings of idleness (as opposed to business, as would JGC) that are created with no revenue model, but by the grace of their emergent properties charge astronomical values \u200b\u200bfor organizations eager to suscriptores.Es completely counterintuitive. Perform a venture that looks good, but whose operation does not produce economic benefits, and became rich once the sale Evan Williams of Blogger and possibly make with Twitter. If Web 2.0 is marked by the character of communities working then the profitability can not come from any place other than emergent properties of systems (communities). Find out how to create profitable for other communities can become the model with which collaboration becomes utilidades.Es, if there is some truth in this argument, at some point we will be sold as part of a social system address . If you think I exaggerate, look at the Facebook attempt to win the intellectual property of all content uploaded by the 200 million that the romantic usuarios.Será Web 2.0, the dream of the liberalization of the information, the great society knowledge co-constructed by all to be converted into a common marketplace of communities?

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Two seasoned

archivists have moved to Toulouse to delve into the past and recover what is hidden behind the shadow and the legend of Pedro García León, one of many exiles who left Spain to end the civil war.

Maite Garcia and Luis E. Parés have created a blog that charts the course of this search.

Letters to Mary

"Letters to Mary" is a documentary project Maite Garcia and Luis E. Parés trying to recover the traces of Pedro García León, one among the hundreds of thousands of English who crossed the Pyrenees in 1939, however, Maite García's grandfather, the shadow and the legend that she was very familiar memory, the echo that has not stopped ever heard.

Pedro García León was born in Gérgal (Almeria) in 1899. In the twenties moved to Barcelona to work on the Universal Exhibition, where he joined the CNT and apparently became an important man in the union. In Barcelona witnessed the outbreak of the Civil War. In 1937 he accompanied his family (his wife and two children) Gérgal. On February 10, 1939 crossed the French border linking its fate to the hundreds of thousands of English. In France entered into numerous concentration camps and died in 1943 after Allied bombing in Bordeaux, barely a month after your release the last of the fields.

currently reside in Toulouse to perform research in archives and memorial museums. And for visiting the same places where he was hospitalized. We have opened a blog in which we will narrate the research, the quest, the findings, the disappointments:

http://www.cartasamaria.wordpress.com

hope accompany us in this trip.

Maite Garcia and Luis E. Parés

Maite Garcia (Barcelona, \u200b\u200b1973)

Bachelor of Civil Engineering from the Polytechnic University of Catalunya, specializing in Urban and Regional Planning. In Milan he studied Architectural Restoration and Conservation. Worked on the restoration of historic buildings and later in development projects and works.

Since autumn 2004, he worked in the audiovisual field, particularly in production: documentary ("In Jail") advertising (Eroski, L'Illa), films ("In the City of Sylvia", "The clowns i the Fuhrer" "Ingrid / Myspace). As a filmmaker, has made shorts, documentaries, and an audiovisual presentation for the Museum of Biodiversity Urdaibai (Vizcaya). In 2008 she presented her Masters in Creative Documentary at the Universitat Pompeu Fabra. He is currently Director of Production for the International Festival of Video Art Loop

Luis E. Parés (Madrid, 1982)

studied Audiovisual Communication at Madrid and Lisbon and studied the Masters in Documentary Creation of the University Pompeu Fabra in Barcelona. He has been Assistant Director and documentary feature-length documentary THE HONOR OF THE INJURY, Carlos García-Alix and Production Assistant LAND UNDER A WINTER SUN PRO, Mercedes Alvarez, among others. In 2006 it produced, wrote and directed his first short film, DOLPHINS, funded by the Community of Madrid.

also collaborated with the magazines "Blogs and Docs", "Generation XXI" and "Etcetera." He has translated the anthology of Mario Cesariny "Ship of mirrors" and "cannibals" Alvaro do Carvalhal. In the She currently writes the blog celluloid rancid.

We also had the honor of reading at the Library Phantom tickets on Conchita Montenegro.

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Starting today, the library accepts donations, selfless Phantom, as perhaps one might add, of any person who wishes to contribute to this blog go ahead with the book reviews old and not so old. The money raised will, of course, to buy more books that serve to fuel this blog. A voracious blog, I think, something has provided the time to clarify some points veiled from our history and has dusted cornered several authors who do not deserve to die in the memory sinks.

addition, the library becomes a penny of payment. Number 1, Atadell García, man-symbol , sold at a price of 6 euros. The next issue will be available within a few weeks. Its title, Buddy Love . Be dedicated, of course, to crazy virgin communism, Margarita Nelken.

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The search was on the border. I mean the search for books, when rummaging through piles Bellcaire market or detecting a rail volumes in the Sven Hassel Mine trail, between clothes stolen and false colonies. I was with the cheapest, and that meant buying in the domains of the lace. Never bargain: they were on the other side and it would have meant crossing the border that existed between my boring world in a suburban working-class neighborhood and yours, always beyond. A grim world that fascinated me, if only intuitively.

I struggled to find its roots in Baroja. Read The tree of knowledge and became obsessed by Baroja buy every book I could get my hands. I left the eyes in the Austral, pages crisp and letters and bits of snuff. He dreamed of buying the complete works and I got it last year, when published Gutenberg Galaxy.

Shortly after I found in a library edition of Zaragoza Poor life in Madrid. It was a great find. Analyzes the types and groups that make up the underworld of Madrid in late nineteenth and early twentieth centuries, and it brings together experts in criminology and Gil Maestre, Salillas, Sikorski and Fere, along with writers such as Pio Baroja. It is therefore not just a treatise on forensic anthropology, but an entertaining guide to the underworld sallow Madrid at that time surviving in the underworld of Gallofa the Sablee and bohemian. The most wretched poverty.

At times the book resembles more a treatise on zoology (there is a chapter on "Differentiation of Species" and another "Wildlife Madrid offender," for example), and there is something brutish in all that it has . However, it is written without contempt. The scrutiny is thorough, and there is no point not stop crawling. Speaking of criminals, vagrants, murderers, prostitutes, pimps, beggars and invested. Systematised their characteristics, features, from the medical description of the tattoos inverted criminals and prostitutes. It is also possible causes of perversions and the fall in crime and the underworld (especially in the chapter "How to make the offender") or where they may be located in Madrid, these "bad people live."

got the first edition, 1901. It's been over a hundred years. I also bought the German translation, 1910, with introduction by Cesare Lombroso. Meanwhile, the shelves of my library have housed other evidence of similar status. The Melancholy Ruffian gave me Underworld: The offender English , Rafael Salillas, who joined others who bought from Antonio Navarro Fernandez, Constancio Bernaldo de Quirós (one gift Mercutio's friend), or titles that sought to illuminate the dark world of sex and what is not, as some of Ciro Bayo or Max Bembo.

One of my latest purchases was a signed copy of as 'work' lives and underworld people speak , Moses Bermejo. Moisés Bermejo Sánchez (1896-1964) wrote several articles for Navarre thinking about the life of the gangsters, the raterillos, the descuideros and other people of the underclass and social exclusion. As he says in his foreword convoluted, its intention is not to tell the life of the underworld from within, as did other journalists of his era, as Carral y Rivero to a report in Estampa magazine, but to educate readers about the jargon and uses of the thieves and swindlers. The language

addressed the gulfs and Rafael Salillas . And will do so again in Lumpen Alfonso Sastre, marginalization and jerigonça , book that we will soon. _____________________________________________




Bermejo, Moses. as 'work' lives and underworld people speak . Pamplona: Typographical Workshops Social Action, 1931. 119 p. Bernaldo de Quirós

, Constancio; Llanas Aguilaniedo, José María. Poor life Madrid: study psycho with drawings and photographs of natural. Madrid: Rodriguez Serra, 1901. 363 p. Bernaldo de Quirós

, Constancio; Llanas Aguilaniedo, José María. Poor life Madrid: psychosocial study with drawings and photographs . Editing and Justo Broto Salanova notes, introduction of Luis Maristany of Ray, foreword by José Manuel Reverte Coma. Huesca: Instituto de Estudios Huesca, Zaragoza: Egido, 1997. LX, 377 p. Bernaldo de Quirós

, Constancio; Llanas Aguilaniedo, José María. Verbrechertum und Prostitution in Madrid. Mit einem Vorwort von Professor Cesare Lombroso. Berlin: Louis Marcus, ca. 1910. XIX, 340 p.

Are Clorox Tablets Bad For Toilets

The avant-garde and the Great War

Whenever possible, I traveled to Madrid. And always, unfortunately, in a hurry. Just in time to take a couple of reeds (increasingly large glass canyons and less dense), eat something , entangled in bookstores and markets and stroll. All in just one or two days, without possibility of extending a conversation with good friends or to visit a museum pleasure. I am very grateful for this last gift that I have done: the exhibition catalog 1914! avant-garde and the Great War. going to be an abandoned pleasure among its pages. Thanks.

page Thyssen-Bornemisza Museum offers a tour very careful about exposure. Through several chapters, showcases many of the entries.

Thyssen-Bornemisza Museum

1 darkening world
2 The second view
3 Last days of humanity
4 Vanguard horse
5 War song
6
vortex of destruction 7 War forms. An aesthetics of disappearance
8 Depth charge

Fundación Caja Madrid
9 Apocalypse of our time
10 Artist and soldier
11 Cubism in the trenches
12 The stigma of damnation 13
"C'est la guerre!"

1914! La Vanguardia and the Great War from museothyssen on Vimeo .