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New blog

Dear friends, we changed our blog. The rigidity of blogger to edit posts began to irritate me, so convenient to find another way to present the reviews and madness that have been feeding this library.

This blog will continue this in this direction, but are no longer able to write reviews and I do not re-published some input. The new address is http://bremaneur.wordpress.com .

The new blog includes some news, not just technical. In the meantime, become a regular: there will be new entries every Monday. We will, therefore, a weekly blog. The welcome I have prepared an essay that not everything went as well as I wanted, because the resolution is not optimal and I've spent a bit with the mui. This is a video tutorial of a screencast on Internet resources relating to the old book. If you want more details, come and see .

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The law of historical forgetting

Two municipal actions covered in Article 15 of Law 52/2007 , December 26, better known as Law of historical memory, have discovered the absurdity of it. Its purpose is overridden by the text of the law, which calls for a credible forget our history. The first of these acts took place in July this year. Badajoz City Council sent a worker with hammer and chisel to remove the street sign dedicated to Margarita Nelken. The commotion was considerable armed. The second took place a few days ago. Seville City Council has banned a conference on discrete Agustín de Foxa. Aquilino Duque, who was banned lecturer, has written an excellent blog entry on the subject.

Yesterday also we read in The world an article about this censorship. Juan Manuel Bonet, Jordi García Andrés Trapiello and give their opinion. Because you can not find in digital editing, I transcribe here.

Sunday, October 11, 2009. Year XXI. Number: 7237.

70 years later, what do we do with Agustín de Foxa? EVA DIAZ PÉREZ


Sevilla

"Zambra and stir in the china shop of the Ateneo ...». So begins Madrid, Czech cutting, the delirious, satirical, tragic and incendiary novel the author wrote in 1938 Agustín de Foxa Falangist Armendariz-Marquis and Count de Foxa-dipping his pen in the orgy of hatred and bloodshed of the War Civil. This "uproar in the china shop" of today is that the author has brought 50 years after his death as a result of the decision Sevilla City Council to suspend a scheduled event to remember his work. The arguments of the delegate for Citizen Participation, Josefa Medrano (IU), to prohibit the tribute were "respect for the historical memory" and the possibility that "could become an act of advocacy of Franco." Andrés

Trapiello, Jordi Gracia and Juan Manuel Bonet, three authors have thoroughly studied the literature of the period and the conflict between ideology and creation, involved in the debate to provide the necessary reflection and wisdom to the subject.

censorship. "It seems incredible that a municipality is engaged in the literary police. Even if Foxá was an ideologue deserves to be studied. But this is a great writer, "says Juan Manuel Bonet, art critic and author of the classic avant-garde
Dictionary. "Seventy years after the end of the war, the history of literature must not make the council sectarian, but historians and writers," he says, annoyed by the decision of any one author by extra-literary reasons. Similarly

Andrés Trapiello view: "It is a decision born of ignorance and totalitarianism of a person who does not know what he's talking."

LITERATURE AND CREATION. Trapiello knows what he speaks as the author of an essay The arms and letters, which contributed to the debate and the peace of English literature by reviewing the conflicting relations between intellectuals of both sides-
with the political radicalization that occurred during the Civil War. The book was published in 1994, was reissued in 2001 and revised in two months, will be republished in an expanded version. The controversy created Foxá Case confirms that the conflict between arms and letters is still valid. "The Civil War disrupted people who went mad in that bloody rampage, even people who were wise before the war and returned to be later. And this is repeated with writers from both sides, "he admits.

Juan Manuel Bonet también coincide en la dudosa razón ética de centrar la valoración artística en buenos o malos: «Si hacemos la vista gorda sobre los poemas de Alberti a Stalin o sobre las infamias de Bergamín contra el POUM de Andrés Nin. ¿Por qué seguimos negando que el franquismo también contó con grandes escritores?»

EL CUERPO DEL DELITO. La simplificación del cliché sobre Foxá como «apólogo del franquismo» para decidir silenciarlo ha sido otro de los argumentos polémicos. Jordi Gracia es el biógrafo de Dionisio Ridruejo, compañero de afinidades políticas de Foxá hasta que se convirtió en demócrata y, por lo tanto, dissident Franco. Gracia, who won the Essay Award 2004 by the fundamental Anagrama essay silent resistance. Fascism and culture in Spain, speaks of "thoughtless blunder." "On the other hand, if it is reflexive, it is worse: it does the least harm to the victimized Foxá but ridiculous. Had been fascist aristocrat, cynical and humorous, as well as a good writer, and now receives the gift of being a victim. " Gracia, one of the great historians of English intellectual life during the Franco regime, says Foxá "was played by a conservative net over fascism founded rhetorical and decorative. Of course, censorship is a posthumous gift a misguided left has done to Foxá. "

Trapiello agrees criticize ideological conviction judgments. "If we talk of war literature, war poems Foxá has not detract from the texts written by then the Communists José Herrera Peter, Pedro Garfias, or the same Rafael Alberti."

REMEMBRANCE. The "respect for the Law of Historical Memory" has been one of the reasons to try to prevent the act. Trapiello reflects on the spirit that should prevail when faced with the uncomfortable past. "Historical memory is to return to the past without figures. With the view that historical memory "Historical memory" could not be held half of literary events held in this country. In the Civil War there were other artists who were identified at some point with Stalinism. "

Trapiello warns about the dangers of decisions like this: "It is nonsense that someone can decide what is good and what is bad. Did not happen so, so ridiculous, from the father Ladrón de Guevara, the Jesuit author of novels good and bad novelists. People have a right to be spoken on both sides, to form an opinion of their own, away, if possible, the fanaticism of those who seem to want to win the Civil War, in a sense, missed it a lot. " Jordi Gracia

wary about the controversial use of historical memory. "It was a nonsense as an accidental. A fetish is sometimes used of historical memory to attack or defend, when all reasonable issues of cultural history is to disseminate critical. "

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Figures offenders

brief Internet is full of literary gems, understood the word in its broadest sense. Glowing reviews in blogs, news and more pages are hidden in bags and bins of quackery and platitudes expressed by most of the nonsense. We shall mourn his forgetfulness, as papers that are tramp. I turn my admiration for two exceptional people, both authors of this literature of string in the new century: Juan José R. Chalazal, who have time to talk here, and the Marquis de Cubaslibres, promoter of this blog. He chiseled the other day one of their outstanding short pieces on the Internet. Its title, Telluric rage, his spirit, impetuous, Homeric, as the drunkard nicknamed the quiet man of John Wayne. Women, opera, bulls, science, man, art and literature make up the work of the Marquis. Teaching and powerful thanks to its brevity and intelligence that is built, is never without its humor. The latter in particular caught my attention for several reasons. In part, because it refers to a particularly dear to me, as is the shore of La Rioja and Navarra borders. Also because it reminded me of Baron and his scathing comments on the coastal and atrocious accent, which always made me so funny. And especially because it seemed gleaned his teaching of a chapter of a book that gives luster to my library. Its author, Constancio Bernaldo de Quiros, and has reared here earlier. The civil war ended his career in Spain. He emigrated to the Dominican Republic, Cuba and Mexico, where he died in 1959. The title is Figures offenders, and is a miscellaneous work on issues related to forensic anthropology and Spain. The chapter is "Relic ibera: race and crime in Spain." Compare these and enjoy.

Telluric rage, by the Marquis de Cubaslibres

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Others feel that we are selling

Check this CNN article that comes to me courtesy of @ alejodm. The premise is that Facebook sells our consumption habits. I insist on my question, is that the 2.0 is not nothing but a marketplace database? Http://www.cnnexpansion.com/tecnologia/2009/10/01/facebook-vende-tus-habitos-de-consumo

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red The novel was one of the collections kiosk that followed the trail of The weekly story, series created in 1907 by Eduardo Zamacois. Species revolutionary red The novel starts editing the Fernando Painted in 1922.

The Basque Country, n. 8, April 17, 1923

The catalog brings together various writers, many of them related to anarchism. Has anyone been leaning over from the pluteus of this library, and Peter Valentine. The complete list is provided by Gonzalo Santonja in their study Novels red.

After the dictatorship of Primo de Rivera, who struck with such force attempts to offer the people rebellious and liberating literature, who looks to rescue red The novel is Ceferino Rodríguez Avecilla. The adventure begins in 1931 and includes titles Ricardo Baroja, Victorio Macho o-me-Adelard surprised Fernández Arias.

The fifth issue of this second series of red The novel was written by Margarita Nelken. Dedicated to his son James, is illustrated by one Cheche, whom I could not find references, and is entitled Order. Unlike the other installments, this is not a fictional story, but the chronicle of a journey made by Margarita Nelken lecturing Asturias during the dictatorship of Primo de Rivera. His problems with the "order" established by the shiny and morbid government chiefs will result in several scenes narrated with some humor and a lot of bad host, if I may say so. The Chronicle has an unquestionable interest. It is the first contact with the Asturian miners Margarita. In 1934 will be one of the anti-Republican leaders of the Revolution of Asturias.

Cheché Drawing

The beginning of the novel, which will offer more paragraphs in Buddy Love (Collection A penny, Issue 2):

In the early years of the dictatorship. Precise: the Primo de Rivera. Tournée
Asturias conferencing.

In Oviedo, coincidentally, in the
hotel, with His Excellency the Governor: a chicken well, responding, hydraulic
picturesquely, the name of Fontana Pilon.
A chicken well. If
not been brought up with "the Fathers", it seems. If not Luis, deserves to be. (Today we assume
affiliate-enthusiastically-right Republican.
If it is, deserves to be).

course marchosillo him very, very confident
very, very echao palante, I would say any chicken less well than he. He is very
man, and it is shown: when the government offered a
province, it was he who asked the most difficult. None of sinecures! "To me,
miners, and you'll see who I am!"

You're seeing.

Nelken, Margarita. Order. Cheche drawings. Madrid: The novel red revolutionary literature weekly, July 8, 1931.