Cover your eyes, are clear about what they see is fiction but can not seem especially not see this movie if you live in a complex design on the outskirts of the city. " Kidnapped" is not producing the viewer English terror can be expected. At least not the kind that Filmax production usually offer.
as "rare bird" of our film, Miguel Ángel Vivas tape goes a step beyond what we are accustomed, embracing a genre film shed little (or any) made in Spain, but far more common in the rest of cinema. Haneke is the look of concrete and " Funny Games," the French and twisted "Ils " and " A l 'interieur " or American "Strangers " the inevitable references to "Kidnapped", all movies where the tranquility of the home is affected by an external threat love. All uncomfortable tapes that English cinema had never dared to look at his face.
The so-called express kidnappings, a practice of assault and extortion a, generally, entrepreneurs and businessmen to be consistent with all the money possible from their credit cards or checks, is to sencadenante of made of "Kidnapped ."
Vivas big players in the sequence shot, split screen (probably the most controversial decision of all those taken by the director of Seville), the hand-held camera and the extreme formal realism to tell in just 80 minutes above kidnapping. There will be no concessions or dropouts, but a harsh and violent way the story is structured properly, a quick presentation of characters who meet the tics themselves upper class, the (very) logical succession of whether situations that triggered the kidnapping and a final climax especially indigestible, raw and brave. In short, a tense and effective hybrid of the daily terror and the story of survival beyond the tight sound and decisions of the director is based on a performance filled with credibility (Ana Wagener, Fernando Cayo and especially Manuela Vella) and excellent use of staging and sound.
The arrival of " Kidnapped" is a very large news for the genre film fan only titles of these features was beyond our borders, as well as a work discovered unusual and risky for our cinema disengaged able to offer an authentic experience and new to their usual audience, if it can withstand the harshness of their images.
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