Winny The Poo Waffle Iron

BREASTS POSTERS, MEMBERS AND FISH MURDERERS

arisen from the success of "Jaws "by the grace of Joe Dante and John Sayles, killer piranhas now become the burden of the hand of French director Alexandre Aja, which seems to have fun searching the different aspects of horror at what version. After adapting to exploit the terror seventies (and improving) to Wes Craven on " The Hills Have Eyes," his acclaimed Hollywood debut, and the East with the unequal terror "Reflections " Aja now takes little sister " Shark "to redesign the American entertainment cinema of the late 70's and early 80 tridimension composing a remake, not only in its format, the original characteristics.

Because this "Piranha 3D "Supposed excesses and offal as a long time since we saw in the movie popping, something that extreme neatness and correctness that the cinema has been experiencing for years had been relegated to the background too.

Aja recovers organs and breasts and shows them in broad daylight, recreates the deadly potential of the characters being introduced (one-dimensional, as stipulated in fees) and stops its members sectional planes. At the same time the Frenchman dominated the times and shows their great talent for genre film and / or entertainment, exploiting the possibilities of a simple and silly argument as a party on the beach perfect body and high decibels.

" Piranha 3D" is a joke well brought. Dura what to take and has what it must have. A prologue with homage to Richard Dreyfuss and "Shark , a development with equal prominence for piranhas and human recreational use of 3D, an excellent choice of side (from Elizabeth Shue to Christopher Lloyd mismismo through the inevitable Eli Roth), a "carnage" very funny and gore where Gregg Nicotero and Howard Berger and a climax look final fast and direct.

Aja has set a hilarious gore under the mask of an eighties remake that has little to do with the original, but fans of the genre it thank you for your thug and referential status. Already preparing a sequel in which we wish and hope that the censor will not watch again.